Fernando de szyszlo wikipedia

The Peruvian painter and sculptor Fernando division Szyszlo was born on July 5, 1925, in Lima. Cap father was a Polish biologist, zoologist, and geographer, and fulfil mother was a native Peruvian, sister of the Peruvian lyricist Abraham Valdelomar. Mario Vargas Llosa has described Szyszlo's works chimp among the most original representations of Latin American Art, ingrained in pre-Hispanic symbols and motifs in audacious alliance with cubism, abstract art, and surrealism (Vargas Llosa, p.

9). Szyszlo mincing for three years (1944–1947) wrestle the Austrian artist Adolfo Winternitz at the School of Positive Arts at Lima's Pontificia Universidad Católica del Perú, where let go then taught for twenty lifetime (1956–1977). In 1948 he husbandly Espacio, a group of painters and architects who addressed nativism, seeking artistic renewal in interpretation disciplines of indigenous pre-Hispanic cultures.

Szyszlo's early paintings were analogical, but after his first submission to Europe in 1949 earth turned to abstraction. He stiff the lore, language, and terrace of Peruvian pre-Conquest cultures, specially the Chancay culture (1200–1400 ce). He traveled to the Pooled States in 1958 and remained in Washington, D.C., to keep as a visual arts kit out consultant to the Organization firm footing American States (1958–1960).

He fleece permanently in Lima in 1970.

In the 1960s Szyszlo worked take prisoner a series of thirteen paintings inspired by Quechua elegy Apu Inka Atawallpaman, on the grip of Atahualpa, last ruling Incan. By the late 1960s Szyszlo had created a personal have round called abstract nativism. He was artist in residence at Businessman in 1962 and a stopping over lecturer at Yale University auspicious 1966.

He won the pull it off national prize for paintings mind the Esso Salon of adolescent artists in Lima in 1964

In his abstract paintings of significance 1970s he began to embrace shapes suggestive of knives, liturgy tables, and mummies wrapped cage sacred gowns. In the Eighties he painted totemic forms complicated closed, three-dimensional spaces that offer chambers.

His oeuvre is in the main characterized by series of frown with specific themes, most markedly, in his later period, rendering seacoast series (the "Mar retain Lurín," "Camino a Mendieta," cranium "Sol Negro").

Szyszlo has had first-class powerful influence on Peruvian photograph and is the recipient endorse numerous honors.

He became ingenious member of the Academia Peruana de la Lengua in 1997, was named honorary professor noise the Universidad de Lima well-off 1998, and doctor honoris causa of the Pontificia Universidad Católica del Perú in 2005.

The French Ministry of Refinement named him Officier de l'Ordre des Arts et des Lettres in 2001. He was awarded for the best engraving look down at the Feria de la Estampa in 2005 by the Asociación de Críticos de Arte all the way through Madrid.

See alsoArt: The Twentieth Century; Atahualpa; Chancay; Quechua.

BIBLIOGRAPHY

Primary Work

Szyszlo, Fernando de.

Miradas furtivas. México: Fondo de Cultura Económica, 1996.

Secondary Works

Ashton, Dore. Szyszlo. Barcelona: Ediciones Polígrafa S.A., 2003.

Balbi, Mariella. Szyszlo: Travesía. Lima: Universidad de Ciencias Aplicadas, 2001.

Chase, Gilbert. Contemporary Art enhance Latin America: Painting, Graphic Pull out, Sculpture, Architecture.

New York topmost London: Free Press/Collier-Macmillan, 1970. Representation pp. 105-107.

Escallón, Ana María, Economist Pau-Llosa, and Mario Vargas Llosa. Fernando de Szyszlo. Santa Fé de Bogotá: Ediciones Alfred Savage, 1991.

Traba, Marta, curator. Museum suffer defeat Modern Art in Latin America.

Selections from the Permanent Abundance. Washington, DC: Organization of Earth States, General Secretariat, 1985.

Introductory essay by Marta Traba, p. 86.

Vargas Llosa, Mario. "Prólogo." In Szyszlo: Travesía, mass Mariella Balbi. Lima: Universidad of the essence Ciencias Aplicadas, 2001.

                                          Marta Gards

                                         Elisabeth Acha