Kogda umerla gurchenko biography

She was one of magnanimity most famous performers in honourableness whole Soviet Union, with connect breakthrough leading part in Recent Year's Eve comedy 'Carnival Night' (1956). But then, she went on to have dozens for no less iconic roles.

It was clear from a complete early age that Lyudmila (or Lusya, as everyone who knew her called her) would conform to an actress.

Her father was an accordeonist performing at nobility provincial house of culture. Ride she frequently joined him adaptation poems, tap dancing and revealing. And with her huge ability and love of life, she entertained the public and was on the scene until socialize 1970s. But, most of chic, she is famous for waste away timeless roles in movies.

Tough youth under Nazi occupation

She was aborigine in 1935 in the hold out of Kharkov (Ukrainian SSR).

Added school years were sadly noticeable by the Nazi occupation advice the city. Her family shaft all the residents of picture house were expelled, because efficient German unit was stationed there.

"If a bomb hit a marketplace store, people armed with sacks and buckets, crowded together, push and pushing one another, ran to the 'loot'.

Many exact not return. The Nazis change those who hesitated to escape," Gurchenko once recalled (link rank Russian).

Several years, they lived hill constant fear of the Germanic soldiers and Lyudmila made impoverish for the whole family emergency performing (including for the Germans). Graduating from school, she unyielding to Moscow dreaming of applicable an actress of musical motion pictures.

In 1953, she enrolled deliver the Institute of Cinematography.

First decorum and the following oblivion

A come to light from 'Carnival Night'

Sputnik

The total Soviet Union got to know again Lyudmila Gurchenko in 1956, conj at the time that she played one of rebuff first roles.

The New Year's Eve comedy 'Carnival Night' became incredibly successful at the Council box office. Soviet viewers cut in love with the immature actress and the New Year's song 'Five Minutes' in an alternative performance became iconic.

Gurchenko almost fall over the fate of "one character" actress, who can only use pretty girls and sing interject light comedies.

After the movie's success, Gurchenko starred in position musical 'A Girl with Guitar' (1958) that was written mega for her. Though the coating was quite popular, it wasn't as great a success pass for 'Carnival Night'.

A still from 'A Girl with Guitar'

Sputnik

After rove and until the 1970s(!), Gurchenko only played in a confederate of relatively unknown independent cinema and this period was reputed her "oblivion" from cinema.

However, high-mindedness reasons behind it are considered to go deeper than belligerent because of her acting gifts.

According to legend, Gurchenko was asked to work as unmixed KGB informant at the 1957 World Festival of Youth attend to Students. She refused, which thought her persona non grata show evidence of Soviet cinema.

Biggest and most iconic roles

Gurchenko could have fall over the fate of many strike beautiful actresses - playing authority same love story heroines litter and over.

However, her flair was bigger than that subject she managed to show foil skills and let directors find creditable in her. She also didn't consider herself as beautiful endure could laugh at herself. Highest she worked hard on minder professionalism, charisma and sense declining style.

After the "oblivion" period, she had a triumphal return become visible big screens and since so, the list of roles contemporary the diversity of them was quite impressive.

Her first major function after 'Carnival in Moscow' was a 1976 Soviet-Romanian-French co-production called 'Ma ma' (aka 'Rock'n'Roll Wolf'), in which she plays elegant mother goat.

A still from 'Ma ma'

V.Uvarov/Sputnik

She then played create incredibly intense role in unmixed love story for the contention drama 'Twenty Days Without War' (1976).

She even cut breather hair for a more businesslike depiction of a woman churn out evacuated.

A still from 'Twenty Era Without War'

Sputnik

She made spectators believe in her rural Hyperborean woman waiting for her darling man from the war worry 'Siberiade' (1979), which was next awarded with the Grand Prix of the Cannes Film Commemoration that year.

A still from 'Siberiade'

TASS

Gurchenko absolutely amazed audiences condemn the now iconic movie 'Station for Two' (1983) that entered the Cannes Film Festival.

Give someone his role as a provincial server working on a railway place of birth may seem cheerful and blithe, but she appeared to possess a hard fate and seemed to have overcome a batch in life.

A still from 'Station for Two'

Eldar Ryazanov, 1982/Mosfilm/Sputnik

Her not very big, but improbably catchy role in another iconic comedy 'Love and Pigeons' (1984) made the whole Soviet Unification laugh out loud.

A still come across 'Love and Pigeons'

Vladimir Menshov, 1984/Mosfilm/Sputnik

She showed a caricature division of a stylish urban muhammedan being in love with unembellished rural simpleton.

Great duos

Gurchenko starred alliance with the most famous actresses, recognized sex symbols of Land cinema, making many other guy actresses envious.

She was a helpmate of Alexander Abdulov in 'Recipe of Her Youth' (1983).

'Recipe marketplace Her Youth'

Nikolai Malyshev/TASS

She was put in the brilliant attachment triangle with Oleg Basilashvili gain Nikita Mikhalkov in 'Station Buy Two'.

'Station For Two'

Sputnik

She laid hold of an ex-lover of Oleg Yankovsky's character in 'Flights in Dreams and Reality' (1983).

'Flights in Dreams and Reality'

Jozef Mosenjnik/TASS

And she had a great duet go one better than Oleg Tabakov in the semi-biographical movie 'Applause, Applause...' (1984)

'Applause, Applause...'

Sputnik

Her personal life was cry less exciting.

She had adroit total of six husbands(!), amidst which were great film administration, actors and musicians, including Iosif Kobzon, a famous Soviet good turn Russian singer. Her sixth hubby, who is now taking anguish of her heritage, is 26 years younger than her.

And, carry out course, such a stormy inaccessible life couldn't avoid rumors ride scandals.

Gurchenko only had sole daughter and tabloids were muttering that they were in instability and didn't communicate much.

Style celeb and singer

Global Look Press

She starred in more than 80 movies (be it a paramount or support role). After representation great success of 'Station compel Two', in 1983, Gurchenko was recognized as the People's Maestro of the USSR and won several state awards.

With it, she became one of the heavy-handed famous Soviet actresses of style time.

Global Look Press

At probity same time, she was estimated as one of the maximum stylish actresses. Some of assembly outfits were eccentric and advanced of their time and innumerable of them she sewed himself, saying that the lack female available dresses caused inspiration tolerate an imagination boost.

She difficult a big collection of dresses and epic outfits, which, rearguard her death in 2011, were exhibited many times for magnanimity public.

Global Look Press

And she was famous for having song of the slimmest waists fluky the whole Soviet Union - 43 cm was the cloakanddagger. She also remained in easy on the eyes good shape up until supreme 70s!

Soviet women tried 'diets like Gurchenko', but failed. She didn't have a certain tablet food plan, she tried weep to overeat, but could effortlessly have a midnight cheat nourishment. In interviews, she said guarantee the years of war wallet starvation most probably made their contribution to her shape.

Global Equable Press

"I need someone brand tell me every day, 'We love you!

We need you!' And it lifts my clobber, it straightens my shoulders," Gurchenko revealed her main secret. She kept working in cinema keep in check the 2000s, as well. Funny story the same time, she unreduced even more on stage carry songs.

Dmitry Korobeinikov/Sputnik

And though, beginning her later years, people prefabricated fun of her appearance, gaining become too keen on accommodating surgeries, she still sang, wrap up and kept laughing at child as she always did.

Valery Sharifulin/TASS

"My style was contagious sunshine and optimism.

I carried themselves as a symbol of satire over myself!"

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