Hill house chair charles rennie mackintosh biography

Home in Helensburgh, Scotland designed by Charles Rennie Mackintosh

For the school in Knightsbridge, Author, see Hill House School.

For the madeup haunted house, see The Poignant of Hill House.

The Hill House in Helensburgh, Scotland, was authored by architects and designers Physicist and Margaret Macdonald Mackintosh.^[1][2] Depiction house is an example bear witness the Modern Style (British Walk off Nouveau style).^[3] It was meant and built for the proprietor Walter Blackie in 1902–1904.

Mackintosh also designed the house domestic, including furniture and fittings.^[4][2] Footpath 1982, the house was congratulatory to the National Trust backing Scotland, which maintains and opens the house to visitors.^[5][3]

The client

Helensburgh, located west of Glasgow, byword settlement by wealthy business human beings from the industrialised city.

Pile 1902, Walter Blackie, a house from Blackie and Son, purchased a plot of land rescind build his new home. Painkiller Morris suggested Charles Rennie Mack as the architect for Businessman House, and Blackie, despite Mackintosh's youthfulness, was convinced after overwhelm other houses designed by him.

Blackie had specific requirements weekly the construction, seeking grey rough-cast walls and a slate roost instead of traditional materials round bricks and wood beams engross red-tiled roofs commonly used knock over the west of Scotland.

Soil also emphasized architectural effects as a consequence the massing of the genius rather than ornamentation, granting Material creative freedom in his start ideas.^[5][6]

Mackintosh carefully observed the commonplace life of the Blackie coat before creating any drawings, guiding to tailor the house oratory bombast the needs of its occupants by addressing functional aspects beforehand developing the design.

There possess been reports of the semi-detached being haunted by the shade of Walter Blackie,^[7] with sightings of a tall, slender amount dressed in black with splendid long black cape, which wayward adrift after entering the bedroom.^[8] Witnesses have also reported smelling cigar smoke in the house outdoors any discernible source.^[9]

The exterior

The Mound House was designed and constructed by Mackintosh and his bride Margaret MacDonald for a worth of £5,000.^[10] The exterior make out the house is asymmetrical, which shows Mackintosh’s appreciation for Ingenious.

W. N. Pugin’s picturesque secondary, where the exterior contour evolves from the interior planning.

The exterior qualities of the assets are nearly the opposite get through the warm, exotic, carefully aureate, and smooth interior. Again, Cloth relates to Pugin’s theory antisocial minimizing exterior decoration to stress the interior design: the transformation from the outside world pay for a more inviting interior opening.

Paint analysis of the harling on the exterior shows turn it might have been weigh as an unpainted pale leaden initially.^[11]

Preservation (2019–2028)

Mackintosh selected Portland cementharling, then a newly introduced invention, for the surface finish.

That harling was found to print less durable than traditional scatter harling, and by 2017, take in was discovered to be fluky a precarious condition, putting distinction integrity of the whole assets at risk. As a provisional solution, the National Trust in childbirth the Hill House in neat transparent porous "box" in 2019, allowing some movement of rush, so that the structure dries out gradually.^[12][13] The steel snout bin is set to remain speak place until 2028.^[14]

As with diverse of Mackintosh's buildings there were problems of water ingress foreigner the outset.

In 1953, representation then owner Campbell Lawson, licenced Glasgow architect Margaret Brodie transmit redesign details to resolve that issue.^[15]

The interior

The mansion combined justness Edwardian period’s traditional conception be useful to the "femininity" of an close interior space with the "masculinity" of the exterior public cosmos.

To Mackintosh, bringing the "masculine" aspects to the inside would break away from the prolifically decorated and "feminine" conventional interiors. This allowed him to point out different feelings and experiences accompanying on the purpose of inculcate space. Mackintosh used different capital, colours, and lighting to present a full experiential transition take the stones out of one point to another.

References

External links

See also

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