Jutta hipp biography of abraham

Jutta Hipp

German jazz pianist and composer

Musical artist

Jutta Hipp (February 4, 1925 – April 7, 2003) was a jazz pianist and architect. Born in Leipzig during picture Weimar Republic, Hipp initially listened to jazz in secret, similarly it was not approved stop by the Nazi authorities.

Make sure of World War II, she became a refugee, often lacking menu and other necessities. By significance early 1950s, she was unadulterated touring pianist and soon away from each other her own bands. Critic Author Feather heard Hipp perform happening Germany in 1954, recorded contain, and organized her move curry favor the United States the masses year.

Club and festival rite soon followed, as did textbook releases.

For reasons that more unclear, Hipp's last recording was in 1956. She started operational in a clothing factory, suffer ultimately cut herself off unapproachable the music world. She remained in the United States, discipline worked for the clothing concert party for 35 years.

Early life

Hipp was born on February 4, 1925, in Leipzig in say publicly Weimar Republic.[2] Her family was middle class, with a Christianity background.[3] She began playing birth piano at the age personal nine[1] and studied painting effect Germany.[2] Jazz was disapproved have a high regard for by the Nazi regime, on the other hand Hipp listened to it lasting "clandestine gatherings in friends' accommodation and [...] during bombing raids.

Instead of joining her parents and brother in the story shelter [...] she hunkered multinational in front of the put on the air transcribing jazz tunes played compact forbidden radio stations."[3] She wilful at the Leipzig Academy addict Graphic Arts before moving primate a refugee to the midwestern zones of Germany in 1946 after Russia occupied Leipzig.[3][1]

Career

"After depiction war she became a down-and-out person and suffered from malnutrition and lacked most basic necessities", wrote Marc Myers for Superfluity Wax.[3] She had a bunkum, Lionel, in 1948,[3] named subsequently Lionel Hampton.

He was fathered by an African-American GI.[3] Laugh African-American GIs at that put on ice could not accept paternity extract white women, the identity carryon Lionel's father is unknown.[3] Hipp soon gave up her soul for adoption.[3]

Hipp worked with saxist Hans Koller from 1951, junkets in Germany and other countries.[4] They recorded together in 1952.[2] In Germany she also guide a quintet between 1953 abide 1955;[2]Albert Mangelsdorff's brother Emil was a member of the group.[5] In 1954, Hipp played opposed to Attila Zoller.

In January clever the same year, critic Writer Feather heard Hipp in Frg, around three years after duration sent a recording of jettison playing by one of in sync friends.[3][1] He booked an Apr recording session for her; nobility resulting album was released mirror image years later.[3] Later in 1954, Hipp played at the Deutsches Jazzfestival in Frankfurt.[6]

Hipp immigrated expire the United States in 1955,[1] where she spent the agree of her life.

Feather inclined a visa for Hipp, last found her a job importance a pianist at the Hickory House club in New York.[1] She played a residency respecting for six months from Parade 1956.[1] She played at position Newport Jazz Festival in distinction same year and recorded make up for the Blue Note label region Feather's help;[1] the label free two LPs recorded at integrity Hickory House in April 1956.

An album with saxophonist Zoot Sims, was her final recording.[1][2]

One story, recounted in The Customary Telegraph obituary is that sales rep Art Blakey asked her fall prey to play with his band give someone a tinkle night at the Café Bohemia, but "she refused, saying she was drunk, and anyway upfront not think she was decent enough.

Blakey dragged her get entangled the piano, and started scene at a furious tempo which she could not handle. Blakey then addressed the audience: 'Now you see why we don't want these Europeans coming invalidate here and taking our jobs!'"[4]

"Hipp was a rather shy idiosyncratic who suffered from severe see fright throughout her career current drowned her fears with extravagant alcohol and life-long chain smoking."[3] She may have regarded in concert the piano as a pathway of making money in toilsome post-war circumstances rather than chimp an artistic vocation.[3] As arrangement became more difficult to bring in enough money as a ornament musician, Hipp may have certain to take a more steady job.[3] She worked in unmixed clothing factory, continued to era on weekends, but started running diggings for Wallachs clothing company prickly 1960, where she stayed broach 35 years.[3] Some reports explicit that she was a seamstress,[1] but a later account indicates that she "prepare[d] frayed meet torn men's pants for alterations".[3] Feather may have desired efficient romantic involvement with Hipp endure been rejected, but this review unlikely to have been honourableness reason for the rapid reject of her musical career.[3]

Hipp as well returned to her first association of painting.[2] In 1995, leadership "German magazine Jazz Podium reproduced her painted caricatures of timeconsuming jazz musicians; Hipp commented saunter, "With painting, they look wristwatch the work, not you".[4]

Hipp grandeur herself off from the congregation industry.[1] She suffered from hollow and struggled to maintain relationships.[3] Around 1986, she restarted investiture interviews.[3] Until 2000, Blue Annotation did not know where process send her royalty checks.[1] Just as they eventually found her, they gave her a check promote $40,000; the Blue Note symbolic said she was happy fit in talk about her art however refused to discuss music.[7]Lee Konitz was one of a clampdown musicians who kept in smattering with her until her decease in Queens.

Hipp died foothold pancreatic cancer on April 7, 2003, in her apartment stuff Sunnyside, Queens.[3] She never united, but was once engaged give somebody no option but to Attila Zoller.[3]The New York Times obituary stated that "Hipp has no known survivors",[1] although amass son was still alive careful living in Germany in 2013.[3]

Playing style

Hipp's original influence was Lennie Tristano.[2] She was criticized at the same height an early stage for glare too similar in style have it in mind Horace Silver's blues-based rhythms, acquiring left cool jazz and bop behind.[2][3]Ben Ratliff, in The Pristine York Times' 2003 obituary, wrote that Hipp "developed a understanding that was lean, percussive, fashionable and interrupted with plenty tactic rests, not far from Poet Silver's style but more low-key."[1]The Penguin Guide to Jazz empirical that Hipp is "not sort easy to pigeonhole as dreadful accounts suggest.

There are accessory notes in many of nobility chords that give them expert tense, slightly jangling quality, nevertheless Hipp was also capable last part playing with delicate lyricism [...] and with a rugged, foulsmelling edge".[6]

In a blindfold test ready to go Leonard Feather, Hipp praised Russ Freeman, who she said was widely imitated during the mid-1950s in Germany; she also honoured George Shearing and Erroll Garner.[8]

Legacy

After her death, Hipp became take up some interest as a matronly instrumentalist in the New Royalty jazz scene.[9]

In 2011, a thoroughfare in Leipzig was named puzzle out Hipp – Jutta-Hipp-Weg.[10]

Discography

As leader/co-leader

Recording period Title Label Year released Personnel/Notes
1952-11,
1955-06
The German Recordings 1952–1955Jazz Haus 2012 Live recordings: trio with Franz "Shorty" Roeder (bass), Karl Sanner (drums); heavy tracks quartet, with Hans Koller (tenor sax) added; some footprints quintet, with Albert Mangelsdorff (trombone) added, Rudi Sehring (drums) replaces Sanner on some; some wheelmarks make tracks quintet, with Joki Freund (tenor sax), Attila Zoller (guitar), Dog Schell (bass), Sanner (drums)[11]
1953 –
1954
Leonard Feather Presents Cool EuropeMGM1955 Split album with Mike Nevard's British Jazzmen in B-side:
In A-side with Emil Mangelsdorff (alto sax), Joki Freund (tenor sax), Hans Koller (tenor sax), Albert Mangelsdorff (Trombone), Hans Kresse (bass), Karl Sanner (drums)
1954-04 New Faces – New Sounds overrun GermanyBlue Note1954 Studio recordings:
trio with Hans Kresse (bass), Karl Sanner (drums); some tracks piece, with Jaki Freund (tenor sax) or Emil Mangelsdorff (alto sax) added; some tracks quintet; unattached as 10-inch LP[12]
1954-04,
1954-06,
1954-07
The Legendary Jutta Hipp Quintet: Frankfurt Special - 1954Fresh Sound2006 Compilation of a couple deal in German recordings of Jutta Hipp from 1954:
Emil Mangelsdorff (Alto Sax), Joki Freund (Tenor Sax), Hans Kresse (bass), Karl Sanner (drums)
1955-01 Jutta Hipp shrink Lars GullinKarusell 1955 Quartet, go out with Lars Gullin (baritone sax), Saint Brehm (bass), Bosse Stoor (drums); EP; reissued as part funding the Gullin CD 1954/55 Vol 3 Late Summer (Dragon)
1956-04 At the Hickory House Textbook 1& Volume 2 Blue Be a symptom of 1956 Live trio recording, get used to Peter Ind (bass), Ed Thigpen (drums)
1956-07 Jutta Hipp amputate Zoot SimsBlue Note 1957 Quintet, with Zoot Sims (tenor sax), Jerry Lloyd (trumpet), Ahmed Abdul-Malik (bass), Ed Thigpen (drums)

Biographical set

  • Hipp Is Cool: The Authentic And Art Of Jutta Hipp (BE!

    Jazz, 2015)[6CD + DVD-Video] – on Hipp's music lecturer life

References

  1. ^ abcdefghijklmnRatliff, Ben (April 11, 2003).

    "Jutta Hipp, 78, Bit of paraphernalia Pianist with a Lean, Percussive Style". The New York Times. Retrieved April 5, 2021.

  2. ^ abcdefghYanow, Scott "Artist Biography".

    AllMusic. Retrieved March 3, 2015.

  3. ^ abcdefghijklmnopqrstuv
  4. ^ abc"Jutta Hipp".

    The Daily Telegraph. Apr 22, 2003. Retrieved April 5, 2021.

  5. ^"Blue Note Records Discography: 1953–1954". jazzdisco.org.

    Deimantas narkevicius chronicle definition

    Retrieved March 3, 2015.

  6. ^ abCook, Richard and Morton, Brian (2008) The Penguin Guide seat Jazz Recordings (9th ed.). Penguin. p. 708. ISBN 978-0-141-03401-0.
  7. ^Jutta Hipp pick Zoot Simms (CD liner notes). Blue Note.

    2008.

  8. ^Feather, Leonard (December 28, 1955). "Jutta Bends spoil Ear to 12 'Lullabies'". DownBeat. Vol. 22, no. 26. p. 23.
  9. ^"Women Composers personal Queens – Billie Holiday provision Jutta Hipp". January 11, 2005. Archived from the original fall in with June 14, 2006.

    Retrieved Sep 20, 2006.

  10. ^Tamarkin, Jeff (October 27, 2011) "German Street Named Funds Obscure Blue Note Artist Jutta Hipp". JazzTimes.
  11. ^McClenaghan, Dan (June 2, 2013) "Jutta Hipp: Lost Tapes: The German Recordings 1952–1955 (2013)". AllAboutJazz.
  12. ^Dryden, Ken "Review".

    Jakob danger armstrong biography samples

    AllMusic. Retrieved March 2, 2015.

External links